tag:blogger.com,1999:blog-42171086538044412532024-03-13T23:30:53.808-04:00Philadelphia Sound Forum BlogInteresting experimental music tidbits from Philadelphia, Pennsylvania, USA.Unknownnoreply@blogger.comBlogger118125tag:blogger.com,1999:blog-4217108653804441253.post-51215202488168352132012-07-03T12:42:00.001-04:002012-07-03T12:42:21.027-04:00Austin New Music Co-op's "The Great Learning"<img src="http://www.newmusicbox.org/wp-content/uploads/2012/07/Paragraph5-3.jpg" width="300" /><br />
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The website New Music Box has posted <a href="http://www.newmusicbox.org/articles/talk-about-sound-austin-new-music-coop-and-cardews-the-great-learning/">a rich, dense series of text and recordings</a> from the Austin New Music Co-op's landmark performance of composer <a href="http://en.wikipedia.org/wiki/Cornelius_Cardew">Cornelius Cardew</a>'s "The Great Learning," for "trained and un-trained" musicians and voices. The post includes an interview with the performance's principals, generous clips of the performance, program notes, and score "reductions." Do check it out.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-35085386805381135212012-06-25T16:26:00.000-04:002012-07-03T12:43:52.483-04:00Chris Forsyth interviews Loren ConnersFriend-of-the-show <a href="http://thechrisforsyth.com/">Chris Forsyth</a> interviews the wonderful and long-practicing "ghost blues" guitarist Loren (formerly "Mazzacane") Conners <a href="http://www.tinymixtapes.com/features/spy-music-fest-loren-connors-interviewed-by-chris-forsyth">over at Tiny Mix Tapes</a>. The site also includes a couple nice clips of the music of each, upon the eve of the release of Chris's new record. Catch the release show <a href="http://voxpopuligallery.org/aux/index.php?/events/forsyth/">July 14 in Philly, at Aux space</a>.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-33410715510781669332012-06-21T14:46:00.000-04:002012-06-21T14:46:09.213-04:00Graham Lambkin and Spencer Yeh joint interview<iframe allowfullscreen="" frameborder="0" height="225" src="http://www.youtube.com/embed/m7LIqsi_wIc" width="400"></iframe> <br />
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Brief but intriguing interview at <a href="http://newmuseum.tumblr.com/post/25437177094">the tumblr site of the New Museum</a> in NYC with past PSF performer Spencer Yeh (Burning Star Core) and Graham Lambkin (they perform in a duo at the New Museum tomorrow night). Discussion coalesces on the subtle distinction between calling oneself a musician, someone who works with music, or someone who works with "sound." Worth a read for sure. <br />
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"Lately when people ask me about the music, I’m not trying to be a jerk
about it, but I tell them “I work with music” rather than say “I’m a
musician.” I mean, whether or not both end up meaning the same thing,
I’ve made the distinction because there is a certain expected
craftspersonship when it comes to “musician” that doesn’t necessarily
recognize the limitations that I feel are communicated when one instead
says “I work with music.” Because “I work with music” implies
experimentation, more so than saying “I am a musician” which sounds to
me like someone saying, “I am a watch maker, I can fix your watch.”Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-59053015417622517802012-06-18T18:58:00.002-04:002012-06-18T18:58:49.424-04:00PSF RECOMMENDS: Florian Hecker "Chimerization"<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-MJTaN3PBFRM/T9ux4KBXL3I/AAAAAAAAAFY/sZ51z1FqZ-s/s1600/cover_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-MJTaN3PBFRM/T9ux4KBXL3I/AAAAAAAAAFY/sZ51z1FqZ-s/s320/cover_2.jpg" width="213" /></a></div>
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Austrian composer Florian Hecker has done it again. With every release he does, he completely screws with your expectations and continually pushes the boundaries of what can be done with electronic music. Chimerization is no exception, a series of three compositions for voice and computer recorded in anechoic chambers (to "prevent interferences in communication as well as in the phenomenon that the absence of audible reflections can have on perception and in the issuing of one's own voice.") while in residency at MIT in Cambridge, Massachusettes. Three readers read text from philosopher and writer Reza Negarastani in English, Persian and German, which then get processed by Hecker on custom built software. The results are both challenging and fresh and deserve a listen by any fan of electronic music and psycho-acoustics alike. The downloads are separated by language, but be sure to grab them all as they're all completely different from each other. Check it out <a href="http://chimerization.documenta.de/">here</a>!<br />
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<br />IMFhttp://www.blogger.com/profile/05535694283086914777noreply@blogger.com1tag:blogger.com,1999:blog-4217108653804441253.post-47081164178652169082012-06-02T00:04:00.000-04:002012-06-02T00:04:23.151-04:00Mark Fell interviewA lengthy, informative, and insightful (including plenty of gear geekery) interview with generative-rhythmic guru Mark Fell, of snd and the new Sensate Focus project, is up at, of all places, <a href="http://www.redbullmusicacademy.com/magazine/mark-fell-interview">the website for some sort of Red Bull-affiliated electronic music academy</a>.<br />
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"Or the idea that the performer isn’t trying to display, or engender
feelings of excitement or ‘getting into it’. Around that time both Mat
and I made a definite decision never to nod our heads on stage in time
to music. When we first started doing it, you kind of get into it, you
start nodding your head, and it is a bit of a signal to the audience
that the performers are enjoying it. But what’s going on in that kind of
relationship? It’s like prompting the audience to respond in a certain
way, or to have some assumptions about how we’re relating to the music.
So yeah, since that point, neither of us have nodded our heads on stage
in time to music." <br />
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<iframe allowfullscreen="" frameborder="0" src="http://www.youtube.com/embed/mcYTvKVX5C4?feature=player_embedded" width="350"></iframe>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-4217108653804441253.post-90709978139590457142012-05-29T22:07:00.003-04:002012-05-29T22:07:44.158-04:00Arcvenue live music blogHave we shared this before? A lovely, simple tumblr collecting a number of great experimental, noise, and jazz live videos. Covering a pretty wide spectrum of material, it rewards dipping in anywhere.<br />
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<a href="http://arcvenue.tumblr.com/">Check it</a>.Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-4217108653804441253.post-26304849221705567052012-05-08T14:32:00.001-04:002012-05-08T14:32:46.952-04:00Noise Park Tumblr<img src="http://25.media.tumblr.com/tumblr_m3cuy4RqEG1rudj37o1_400.jpg" width="300" /><br />
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We've been slightly remiss in not sharing this earlier, but then again it keeps getting added to daily, hilariously. Some anonymous internetizen (someone tell us who!) has been creating caricatures of various noise music figures as "South Park" characters, including <a href="http://noise-park.tumblr.com/post/21849040759/c-spencer-yeh">plenty</a> of <a href="http://noise-park.tumblr.com/post/22128488114/john-wiese">pals</a> of PSF and <a href="http://noise-park.tumblr.com/post/22616469038/fun">people</a> we've presented.
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<a href="http://noise-park.tumblr.com/">Check it out</a>.Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-4217108653804441253.post-67053096803321957732012-04-11T02:34:00.000-04:002012-04-11T02:34:50.361-04:00Cage performs CageReally, this should be the final word on <a href="http://johncage.org/2012/">Cage's centennial</a>.<br />
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<iframe width="450" height="259" src="http://www.youtube.com/embed/JKdeNv3Rlv0" frameborder="0" allowfullscreen></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-53275852366496754942012-04-04T17:34:00.000-04:002012-04-04T17:34:25.285-04:00Articles on Ielasi and MalfattiDidn't realize until I typed those word-ending "i"'s that I seem to have stumbled on some nice assonance in the names of the musicians in question. Two folks whose idiosyncratic music I've been enjoying quite a bit lately enjoy nice write-ups. Giuseppe Ielasi, who moved from improvisation to studio-based experimentation often deeply exploring playback devices (record players, CDDJ's, tapes) and regular rhythm, has <a href="http://www.tokafi.com/15questions/15-questions-giuseppe-ielasi/">a nice little interview up at Tokafi</a>.<br />
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While reading, try browsing his label <a href="http://senufoeditions.bandcamp.com/">Senufo Editions on bandcamp</a>, where you can hear much of the catalog for free preview. <br />
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<iframe width="400" height="100" style="position: relative; display: block; width: 400px; height: 100px;" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=318262886/size=venti/bgcol=FFFFFF/linkcol=4285BB/" allowtransparency="true" frameborder="0"><a href="http://senufoeditions.bandcamp.com/album/15tapes">15tapes by Giuseppe Ielasi</a></iframe><br />
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Over at the Chicago Reader (a local free weekly whose music section I deeply envy), <a href="http://www.chicagoreader.com/Bleader/archives/2012/03/29/notes-among-silences">Peter Margasak surveys the recent work of Radu Malfatti</a> and his slow, quiet explorations of time, placement, and density.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-20539673697364562642012-04-03T17:29:00.002-04:002012-04-03T17:29:41.548-04:00A video and Brent Gutzeit archiveOne of our favorite, under-rated American "sound artist"/improvisers/concrete-ists/computer musicians is putting up tons of albums for "pay what you wish" listening. <a href="http://brentgutzeit.bandcamp.com/">Check them out</a>! Ranging from beautiful and liquid piano drones to ear-tickling sine-explorations and everything inbetween. Really excellent stuff.<br />
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Here's a fun video of Chris Corsano playing the drums.<br />
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<iframe width="420" height="315" src="http://www.youtube.com/embed/CfPTBGLkbzM" frameborder="0" allowfullscreen></iframe>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-4217108653804441253.post-24130821241876038742012-01-11T00:43:00.001-05:002012-01-11T00:45:26.560-05:00Great videos from Dublin's i-and-e festivalDublin's improvised music organization and annual festival presenter <a href="http://i-and-e.digitalsook.net/">i-and-e</a> has released some really great high definition videos from their last edition. Multiple camera angles, clear picture, and great sound from the likes of Jean-Luc Guionnet, Seijiro Murayama, Keith Rowe, Paul Vogel, Patrick Farmer, Daniel Jones, and others. Check them out <a href="http://i-and-e.digitalsook.net/videos">here</a>.<br />
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<iframe src="http://player.vimeo.com/video/32108944?byline=0&portrait=0" width="350" height="197" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-67771899610410088732011-10-06T01:58:00.004-04:002011-10-06T02:02:14.983-04:00More free music: Feeney/Rawlings<img width=350 src="http://thewatchfulear.com/Listen/Listen03.jpg"><br />
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The Listen Series of the lovely <a href="http://www.thewatchfulear.com/">The Watchful Ear</a> blog has a new release for free download. Last heard in piercing, glitchy mode on their fantastic <i><a href="http://www.sedimental.com/catalog/index.php?ID=35">In Six Parts</a></i> cd, <a href="http://www.timfeeney.com/">Tim Feeney</a> and <a href="http://www.vicrawlings.com/vicrawlings.com/Home.html">Vic Rawlings</a> are in a more earthy mode here, with distant-sounding loops and percussive clatter slowing looming and unfolding over the two 65 minute tracks comprising "Day" and "Night."<br />
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Download <a href="http://thewatchfulear.com/Listen/ListenSeries03.html">here</a>.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-74461136775288887022011-09-28T14:48:00.001-04:002011-09-28T17:53:18.176-04:00Olive/Costa Monteiro free downloadAlthough I haven't listened to this yet, a duo of <a href="http://timolive.org/">Tim Olive</a> and <a href="http://www.costamonteiro.net/">Alfredo Costa Monteiro</a> sounds great on (virtual) paper. Each has developed his own idiosyncratic and unique take on prepared guitar, frequently ending up in noisy, gritty territory. The lovely Zeromoon label has made a free download release of the duo available <a href="http://www.zeromoon.com/releases/alfredo-costa-monteiro-tim-olive-a-theory-of-possible-utterance-zero125/">here</a>.<br />
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<img src="http://timolivedotorg.files.wordpress.com/2010/12/07s.jpg?w=418&h=278"><br />
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Here's what Costa Monteiro's <a href="http://www.costamonteiro.net/index.php?/projects/olive--costa-monteiro/">website</a> says:<br />
<blockquote>The duo produces a rough, feral music with moments of surprising calm and beauty, using basic technology to blast into outer realms, dark atmospheres of varying density and great textural variety. Sharp cuts and gradual transformations carry the listener from seemingly chaotic noise to ordered spaces, pierced by shafts of light.</blockquote><br />
UPDATE: I have listened to it, and it's really good!Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-19497734478575510452011-09-21T16:46:00.002-04:002011-09-21T16:46:25.364-04:00Lovens, Dorner, Drumm video<iframe width="400" height="233" src="http://www.youtube.com/embed/Ym60hbU2DCQ" frameborder="0" allowfullscreen></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-89611948855750179022011-09-06T22:16:00.001-04:002011-09-06T22:17:43.849-04:00John Butcher on "Freedom and Sound"Saxophonist <a href="http://www.johnbutcher.org.uk/">John Butcher</a>, a formidable and frequently brilliant improviser (I particularly recommend his recent duo CD with Rhodri Davies, <i><a href="http://www.squidco.com/miva/merchant.mvc?Screen=PROD&Product_Code=13063">Carliol</a></i>) has a great essay on the Point of Departure website, titled "Freedom and Sound - This time it’s personal," republished in its original English from a translation in a German book. Butcher does as good a job as I've ever seen attempting to reconcile some of the supposed "contradictions" inherent in playing improvised music within certain internal and external aesthetic constraints, as well as to address the tension inherent in "improvising" within working groups or in other familiar situations. Throughout, he's engaging, insightful, and highly articulate, even bringing in recent psychological research. <br />
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Read the essay <a href="http://www.pointofdeparture.org/PoD35/PoD35Butcher.html">here</a>.<br />
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<iframe width="425" height="269" src="http://www.youtube.com/embed/1wQOca_l5Mg?rel=0" frameborder="0" allowfullscreen></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-42189791699432793402011-04-01T20:15:00.001-04:002011-04-01T20:23:13.036-04:00Interviews with Wandelweiser composersVia <a href="http://johnsonsrambler.wordpress.com/2011/03/01/wandelweisers-jurg-frey-and-manfred-werder-in-interview/">the Rambler blog</a>, interviews with Jürg Frey and Manfred Werder, two key composers from the <a href="http://en.wikipedia.org/wiki/Wandelweiser">Wandelweiser</a> collective. The first video seems to be busted at the link, so I'll embed it below.<br />
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<iframe title="YouTube video player" width="425" height="349" src="http://www.youtube.com/embed/9cKQn15iVh0?rel=0" frameborder="0" allowfullscreen></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-61410628676044052342011-04-01T18:37:00.000-04:002011-04-01T18:37:51.571-04:00William Bennett of Whitehouse on his record collectionThe always-interesting MACBA (Museu d'Art Contemporani de Barcelona) has inaugurated a new series on collecting with an interview with Whitehouse's William Bennett. Check it <a href="http://rwm.macba.cat/uploads/twitter/Memorabilia_William_Bennett_eng.pdf">here</a> (PDF).<br />
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In <a href="http://www.bangthebore.org/archives/853">another recent interview</a>, he talked about his own work.<br />
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<iframe title="YouTube video player" width="425" height="349" src="http://www.youtube.com/embed/fob1WXnRQrs?rel=0" frameborder="0" allowfullscreen></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-76375716952051813672011-03-29T00:53:00.001-04:002011-03-29T00:54:18.303-04:00Trente Oiseaux pour rien!<img src="http://3.bp.blogspot.com/_kOgQWO1tvxo/TU2pFnP9FlI/AAAAAAAAAFA/Gh2n_KWSads/s400/Cover+Details+Agrandis.jpg" width=350><br />
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The fantastic and influential <a href="http://klangstaub.com/trenteoiseaux/index.html">Trente Oiseaux</a> label, run by the fantastic and influential quiet electronic composer <a href="http://www.klangstaub.com/trenteoiseaux/bernhardguenter/index.html">Bernhard Günter</a>, has begun offering <b>free</b> flac downloads of many of their releases. Feel free to sample about, but I HIGHLY recommend the classic Günter albums <i>Univers Temporel Espoir</i> and <i>Un peu de niege salie</i>. Note that, at least when I downloaded, <i>Details Agrandis</i> was inexplicably LOUD and was not at all pleasant.<br />
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Check them <a href="http://trenteoiseaux.blogspot.com/">here</a>.<br />
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How to play flacs <a href="http://flac.sourceforge.net/">here</a>.<br />
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Wikpedia on <a href="http://en.wikipedia.org/wiki/Bernhard_G%C3%BCnter">Günter</a> and on <a href="http://en.wikipedia.org/wiki/Trente_Oiseaux">the label</a>.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-50284288522313621982011-03-29T00:41:00.001-04:002011-03-29T00:46:04.277-04:00Mark Fell interview<img src="http://factmag-images.s3.amazonaws.com/wp-content/uploads/2011/03/fellfeature008-3.22.20114.jpg" width=350><br />
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<a href="http://www.factmag.com/2011/03/22/mark-fell-vortex-studies/">Great interview</a> with <a href="http://en.wikipedia.org/wiki/.snd">snd</a> member and solo artist <a href="http://www.markfell.com/wiki/">Mark Fell</a>, whose recent <i>UL8</i> and <i>Multistability</i> have been getting a lot of play around PSF HQ. You can sample some tracks as well.<br />
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<blockquote>People who come to my house are always annoyed at me because I just play 30 seconds of stuff here and there. Actually, I never listened the whole album through until recently. With UL8 I didn’t even listen to individual tracks the whole way through until I got into the master studio in Berlin, haha! At one point I had to stop Lupo and change something because it was a part I hadn’t really heard properly.</blockquote><blockquote>Most of the tracks on both UL8 and Multistability are procedures implemented on a computer to generate patterns and timbral data that I will typically mess about with as they go along. It’s all dead simple, I have no real interest in technical complexity. I find the best systems are the very simple ones, where it’s just a very few linked procedures. They sound complex, but could be summed up in a couple of lines of text. So there might be a few parameters I change and that’s enough to create the level or change I want; I tweak the parameters until it sounds right. </blockquote>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-67204973372443557962011-03-06T17:36:00.000-05:002011-03-06T17:36:45.401-05:00Video interviews with BSC membersWe just discovered a fantastic series of videos shot by <a href="http://mikebullock.com/">Mike Bullock</a>, wherein he interviews other members of the Boston-based improvising ensemble <a href="http://en.wikipedia.org/wiki/Nmperign#The_BSC">the BSC</a>. Vic Rawlings talks about his elaborate custom electronics in one video and his modified cello in another, plus talks with Howard Stelzer and Liz Tonne about their techniques. Check them out <a href="http://vimeo.com/fielderblank">here</a>. Unfortunately, we can't embed previews here, so check out this BSC performance instead.<br />
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<iframe title="YouTube video player" width="425" height="349" src="http://www.youtube.com/embed/kIvbUMSo_Hw?rel=0&hd=1" frameborder="0" allowfullscreen></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-92150897350094732592011-03-02T01:34:00.000-05:002011-03-02T01:34:22.588-05:00. . . and another Drumm interview<a href="http://www.thelefthandpath.com/lefthandpath/index.cfm/event/read/entry/Interview_Kevin_Drumm">Here</a>.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-32034232033372399012011-02-28T13:55:00.001-05:002011-02-28T13:55:54.378-05:00Interviews! With Kevin Drumm, Keith Rowe, and Radu Malfatti<div class="separator" style="clear: both; text-align: left;"><a href="http://farm5.static.flickr.com/4044/5159409742_632d0918a8_z.jpg" imageanchor="1" style=""><img border="0" width="400" src="http://farm5.static.flickr.com/4044/5159409742_632d0918a8_z.jpg" /></a></div><br />
First, the under-interviewed <a href="http://en.wikipedia.org/wiki/Kevin_Drumm">Kevin Drumm</a> makes a brief-ish appearance in <a href="http://www.foxydigitalis.com/foxyd/?p=7499">Foxy Digitalis</a>. Then, over at ErstWords, we get <a href="http://erstwords.blogspot.com/2011/02/malfattirowe-interview.html">a conversation with Keith Rowe and Radu Malfatti</a>, lovingly illustrated with great photos like the above.Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-4217108653804441253.post-48356764335370248042011-02-26T23:33:00.002-05:002011-02-26T23:35:18.664-05:00Quintet AvantNothing get's us more excited then five Frenchmen with tape recorders and synthesizers.<br /><br /><iframe title="YouTube video player" width="440" height="390" src="http://www.youtube.com/embed/eCgdqe1sDbo" frameborder="0" allowfullscreen></iframe>IMFhttp://www.blogger.com/profile/05535694283086914777noreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-46673176554294048292011-02-17T23:25:00.000-05:002011-02-17T23:25:08.196-05:00Lee Patterson liveSeems to have been shot by <a href="http://en.wikipedia.org/wiki/Luke_Fowler">Luke Fowler</a>?<br />
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<iframe src="http://player.vimeo.com/video/4880720?color=ffffff" width="400" height="320" frameborder="0"></iframe><br />
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For more on Patterson, check out <a href="http://www.bagatellen.com/?p=2198">this exhaustive piece in Bagatellen</a>, by Al Jones.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4217108653804441253.post-40176394584276187692011-02-02T00:17:00.003-05:002011-02-02T00:53:17.247-05:00Richard Garet and Byron Westbrook InterviewsThe <a href="http://www.splatterpool.com/splatterpool.home.html">Splatterpool Artspace</a> in Brooklyn has a neat youtube channel with video interviews and some gallery documentation, including two PSF alums, <a href="http://www.richardgaret.com/">Richard Garet</a> and <a href="http://www.byronwestbrook.com/">Byron Westbrook</a>.<br />
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<iframe allowfullscreen="" class="youtube-player" frameborder="0" height="250" src="http://www.youtube.com/embed/EgMm2QslLao?rel=0" title="YouTube video player" type="text/html" width="400"></iframe><br />
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<iframe allowfullscreen="" class="youtube-player" frameborder="0" height="250" src="http://www.youtube.com/embed/BgkW4Hr83DQ?rel=0" title="YouTube video player" type="text/html" width="400"></iframe><br />
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<iframe allowfullscreen="" class="youtube-player" frameborder="0" height="250" src="http://www.youtube.com/embed/64E5rbtSc1s?rel=0" title="YouTube video player" type="text/html" width="400"></iframe>Unknownnoreply@blogger.com0